Meet our 2025 Students
ARTS ADMINISTRATION In Memory of Sidney J. McQueen

Hi! My name is Ava Dillard and I’m from Randleman, North Carolina and I’m very excited to spend my summer at Wintergreen! I’m a rising freshman in college and I plan on double majoring in music (French Horn) and neuroscience at UNC Chapel Hill. Some of my favorite things to do are performing in ensembles, hanging out with my friends, reading, cooking, and trying new things.

Ohio native Julia Bradley is an incoming junior pursuing a degree in Oboe Performance and Arts Managements at Indiana University. She has a passion for all things oboe, including orchestral and wind band playing, and instrument repair. Outside of the oboe world she is in, she enjoys learning about the world around her and loves cats as well.

Taylor Hawkins graduated with her Bachelor of Music in Flute Performance this past May from Florida State University and will begin pursuing her Master of Arts in Arts Administration beginning this fall. She studied under Dr. Mary Matthews and Dr. Karen Large and most recently, served as principal flute of the University Symphony Orchestra and the Opera Orchestra. Since 2021, Taylor has been a member of the FSU Flute Ensemble, performing at the Florida Flute Association Convention for three consecutive years (2021-2024) and will perform at the National Flute Association Convention this August, where she will additionally serve as a Convention Equipment Intern. Her administrative experience lies primarily in work as the FSU Flute Association’s Secretary since 2023 and other Office Assistant roles. Outside of music, she enjoys visiting local coffee shops, reading, and hanging out with her and her partners' two cats, Maverick and Phoebe.
Instagram: @taylor.hawkinss

My name is Anna Lee and I am so excited to be an Arts Administration intern at Wintergreen! I am currently a rising junior majoring in viola performance and business at the University of Maryland. I really love classical music and one of my potential career goals is to make classical
music accessible for new listeners. In pursuit of this, I’ve embarked on multimedia concerts, immersive storytelling, and most recently, qualitative research. In my free time, I enjoy learning how to dance and play the drums.

Anissa Ibrahim is a 2025 LEAD Cooperative Arts Administration Fellow. She is a Music Composition and Culture, Advocacy, and Leadership major at Vanderbilt University. A passionate believer in equitable music education access, Anissa has taught at the W. O. Smith Community Music School and is an Undergraduate Scholar of the Curb Center for Art, Enterprise, and Public Policy. Her career goals are oriented towards the intersection of composition and arts administration, leveraging the power of the arts to create a more vibrant and just society for all.

Eliza Weigelt is a violinist, worship musician, and aspiring musicologist passionate about music as an opportunity for communion across time and place. Originally from the Greater Washington, DC area, Eliza began playing violin at the age of 6 and quickly fell in love with orchestral music as a member of the Chesapeake Youth Symphony Orchestra. While attending high school overseas in Okinawa, Japan and Naples, Italy, Eliza experienced firsthand the power of music to transcend barriers of language and cultural differences.
Eliza is a recent graduate of Gordon College in Wenham, Massachusetts, where she received a Bachelor of Music in Violin Performance with honors and a minor in History. At Gordon, Eliza studied under Dr. Sarita Kwok, and was a member of several honors cohorts, as well as a Presidential Fellow serving in the Office of Advancement, co-concertmaster of the Gordon Symphony Orchestra, an active chamber musician, and the Design Assistant for the Music program. She completed an honors thesis on biographical and analytical comparisons of musical works by contemporary composers utilizing source material from Hildegard of Bingen, and she carried on a 40-year legacy of interdenominational worship co-leading the Catacombs worship ministry. Additionally a two-time participant in the Credo Music Festival, Eliza is passionate about facilitating communal experiences through music with excellence in every aspect of the process, and she’s looking forward to exploring her administrative skills in that realm while serving as a Leadership Fellow in Patron Services & Executive Management at Wintergreen this summer!
Instagram: @liza_lou_rose_

Hi, my name is Hannah Anderson, and I'm originally from Independence, Iowa. I recently graduated from Lawrence University with a Bachelor of Music in Tuba Performance. Currently, I’ve been teaching band lessons at several high schools here in Iowa, which has been a really rewarding experience—especially given my strong interest in music education. I’m extremely passionate about representation in the arts, where diverse voices and stories are celebrated, and about ensuring equal access to music education for all, especially in underrepresented communities.
In my freetime I enjoy hanging out with friends, being outside, arranging music, and reading :)
I’m really looking forward to meeting new people this summer and learning more about the world of arts administration!

Born in Yogyakarta, Indonesia, Wilhelmine is an accomplished classical pianist known for her artistic versatility and deep commitment to music education and performance. She began her piano studies in 2005 with Utari Isfandini, later continuing under the guidance of Polim Kurniawati and Lia Ristiyana. Her early dedication to the instrument was recognized when she won first place at the 2011 Yamaha Piano Competition in Semarang, which led her to compete in the national finals in Jakarta.
Wilhelmine is deeply passionate about music leadership and believes in the transformative power of music to shape character, inspire growth, and build community. Guided by the mission to use music as a tool for developing human potential, she brings empathy, vision, and dedication to every aspect of her work—whether on stage, in the classroom, or as a judge mentoring the next generation of musicians.
After completing her undergraduate degree, Wilhelmine joined Bina Musik Jakarta as a piano instructor and served as the orchestral pianist for the Trinity Youth Symphony (TRUST) Orchestra. She also curated and performed in three distinct recital programs within a single year: Polarité, featuring her own composition; 20 Dancing Fingers, a four-hands piano recital with Raphaelle Jesslyn; and Eustress, a piano duo performance with Nathania Vanessa.
Wilhelmine earned her Bachelor of Music in Classical Piano Performance from Universitas Pelita Harapan Conservatory of Music, studying under Firdy Salim, M.Mus. During her undergraduate years, she cultivated a well-rounded musical identity, performing widely as a soloist, chamber musician, accompanist, choral singer, conductor, and even beatboxer. She is also an emerging composer, with works such as A Quarter of Life (for solo piano) and Polarité (for flute and piano) premiered in Indonesia.
She earned her Master of Music in Piano Performance from the Dana School of Music, Youngstown State University under the tutelage of Dr. Cicilia Yudha and Dr. Caroline Oltmanns, and served as a graduate teaching assistant in piano. Wilhelmine continues to actively perform as both a soloist and collaborative artist, appearing in concerts across the area and beyond. In 2024, she participated in the Dana Young Artist Competition, presenting Gershwin’s Rhapsody in Blue.
In addition to her piano work, Wilhelmine is a dedicated church musician. She sings with the St. Columba Cathedral Choir of the Diocese of Youngstown and studies organ with Ralph Holtzhauser and Dr. Richard Konzen. Her interest in organ music has led her to notable opportunities, including being featured as a guest organ soloist in the Youngstown Chapter of the American Guild of Organists Recital in 2025.









COLLABORATIVE PIANO
COMPOSITION

Composer James Bernard’s diverse output includes song cycles, chamber music, concertos, symphonic tone poems, film scores, pop songs and hip-hop beats. James aspires to write music that is both accessible and authentic with his use of rhythm and groove. He is an undergraduate student of composition studying under Dr. Melinda Wagner at the Juilliard School, in addition to
having studied under many other renowned composers such as David Dzubay, Martin Amlin, Manuel Sosa and Mary Kouyoumdjian. When he is not composing, he loves to take walks through Central Park and listen to music of all periods and styles.
Instagram: @jamesbernardmusic

Irene Huang is currently pursuing a bachelor’s degree in composition at the Eastman School of Music, studying under Dr. Evis Sammoutis. She earned her piano ARCT with First Class Honors with Distinction in 2018 and received the Royal Conservatory of Music’s Gold Medal for achieving the highest ARCT violin mark in Ontario in 2022. Irene served as the pianist in the Toronto Symphony Youth Orchestra and the collaborative pianist for the North Toronto Songbirds. Since 2023, she has been the composer-in-residence for the Chinese Artists Society of Toronto Youth Orchestra. She also has extensive collaborative experience, having worked with strings, woodwinds, brass, and vocal musicians for recitals, exams, competitions, and festivals.
Irene’s diverse musical background has fueled her passion for becoming a professional composer. In 2022, her composition “Face the Music” won first place in the United Nations’ Pitching Peace Youth Music Challenge and was featured during their inaugural event for the International Day for Disarmament on March 1, 2023. In 2024, Irene’s composition “The Light of Yule” received the Promising High-School Composer Prize from Etobicoke Philharmonic Orchestra’s Young Composers Competition. Her work "Deaf Pillows" was selected by the Musical Life Foundation to premiere in Carnegie Hall on April 30, 2024. Last summer, Irene was appointed as the creative resident by Morningside Music Bridge, where her composition “Still Small Voice” received its world premiere in Jordan Hall. Recently, Irene’s new song “BE HAPPY!” won first prize at Sparks & Wiry Cries’ songSLAM competition.
Irene’s recent compositions and performances can be found on her YouTube channel: https://www.youtube.com/irenemusic


CONDUCTING

Jordan Owen is a conductor, composer, and curator dedicated to bringing orchestral music to a wide range of audiences. He is currently pursuing a Bachelor of Music in Theory and Composition with a concentration in Music History at the Petrie School of Music. Jordan serves as the Assistant Conducting Fellow for the Spartanburg Philharmonic and the Conductor for the Sound of Carolina Music Academy, working with musicians in a variety of settings.
He studies conducting with John Young Shik Concklin and has participated in numerous conducting masterclasses. His work as a composer has been performed internationally, and as a cellist, he has performed at FESTWOCHE Stuttgart. In Fall 2025, Jordan will begin his Master of Music in Orchestral Conducting at the University of North Carolina at Greensboro, studying under Dr. Jungho Kim.
With a passion for orchestral performance and film composition, Jordan continues to explore new ways of engaging with music through performance, education, and curation.

Jarred Kennedy is currently pursuing a Master’s degree in Orchestral Conducting at Louisiana State University. He previously served for two years as Associate Conductor of the Williamson County Symphony Orchestra and has conducted the Austin Civic Orchestra, National Music Festival, Sewanee Summer Music Festival, Cascade Orchestra, and the LSU Symphony. In 2025, he will appear as a conductor at the Renova Music Festival and Wintergreen LEAD Cooperative.
As a violinist, Jarred has performed with the Austin, Waco, and Brazos Valley Symphonies, and held leadership roles as Concertmaster of the Clear Lake Symphony and Principal 2nd violin with the Longview Symphony. His festival appearances include the Colour of Music Festival, Round Top Summer Music Festival, Sewanee, and the National Music Festival.

Matthew Thomas Brown (b. 2004) is a composer, conductor, pianist, and organist from Vienna, VA. He returns to the LEAD Cooperative this year as a conductor after participating in the composition program in 2024.
Brown received much of his early musical training in the liturgical setting, an experience which sparked his passion for vocal music. He is the founder and director of the Now Chorale, a new-music choir based in Oberlin, OH, which has premiered 19 works in just its first two seasons. He is also an active church choir director at Sacred Heart of Jesus Catholic Church in Oberlin. In January 2025, he made his opera conducting debut with Oberlin Opera Theater’s production of “The Infinite Energy of Ada Lovelace” by Kamala Sankaram.
Opportunities to bring together his composition and conducting worlds are of special interest to Brown. A highlight of the past year was conducting the premeire of “Because a Poet Sang”, his original cantata in eight movements on Homeric texts. He frequently assists fellow student composers in bringing their works to the stage, taking up the baton in October 2024 to lead Benjamin Muir’s “Turbulence” for orchestra and, in March 2025, Max Allard’s “Banjo Concerto”.
Brown is entering his final year as a music composition major at the Oberlin Conservatory, where he studies with Jesse Jones, Stephen Hartke, Michael Frazier, and Soomin Kim. He is also pursuing minors in choral conducting and organ performance under the tutelage of Greg Ristow and Jonathan Moyer respectively.
Website link: mtbrownmusic.com



INSTRUMENTAL STUDIES

Brandon Waite is an undergraduate student pursuing dual degrees at The Ohio State University. He is seeking a Bachelor’s of Music in Viola Performance and a Bachelor’s of Science in Physics, as well as a minor in mathematics. Brandon is from Pickerington, Ohio and has a twin brother who also attends Ohio State. As an undergraduate musician, he is involved in several ensembles and student organizations, including the Buckeye Philharmonic Orchestra. As a part of these ensembles, Brandon has had several leadership opportunities, such as being principal violist of the Buckeye Philharmonic Orchestra and concertmaster for Campus Orchestra on his secondary instrument, violin. Recently, he had the privilege to perform the Forsyth viola concerto with the Buckeye Philharmonic. Whenever he’s not in the practice room or the classroom, Brandon can be found reading, baking, or attending a Columbus Symphony concert.

Daphne Faulkner Valiente has been playing the violin since the age of four. She is both classically trained and has a passion for Latin, jazz, and world music. In addition to her career as a violinist, she is a skilled percussionist and has performed professionally on both instruments. She has shared a stage with such artists as Ron Carter, Joe Lovano, and Kenny Werner. She is currently attending Berklee College of Music, and is a 2024 recipient of the Presidential Scholarship.

Josie Whiteis is a performer, student, and teacher based in Tallahassee, Florida. She studies with Jeff Keesecker at Florida State University, where she is pursuing a Doctorate of Music with specialized studies in Arts Administration and College Teaching, and serving as a graduate assistant for the bassoon studio.
Josie is the principal bassoonist for the Panama City Symphony Orchestra, acting principal bassoonist of Sinfonia Gulf Coast, and the acting second bassoonist for the Valdosta Symphony Orchestra. Josie has also performed with ensembles such as the Tallahassee Symphony, Northwest Florida Symphony Orchestra, Pensacola Symphony Orchestra, and Density 512 Contemporary Ensemble. She has also been a guest clinician for the Thomas County Middle School and High School, as well as the bassoon instructor for the 2024 FSU Summer Music Camps. She is currently the woodwind coach for the Tallahassee Youth Orchestra.
Josie is the bassoonist of the Fountain Five Wind Quintet. The ensemble was selected as the ensemble division winners for the 2023 Music International Grand Prix Competition. The quintet is the Quintet in Residence for Sinfonia Gulf Coast’s 2024-25 season.
Her primary teachers include Jeff Keesecker, Kristin Wolfe Jensen, and Elise Wagner.
Instagram: josiebassoonie
YouTube: josephinewhiteis8995

Madeline Swenson is a Twin Cities-based clarinetist. Originally from Apple Valley, Minnesota, she started playing clarinet at the age of nine and credits her middle and high school music experiences with teaching her the importance of hard work and perseverance, both inside and outside of making music. She is a recent graduate of the University of Minnesota School of Music, where she received her Bachelor’s in Clarinet Performance and Music Education. At the University of Minnesota, Madeline was a member of both the University Wind Ensemble and University Symphony Orchestra, and frequently played with both other large ensembles and chamber groups. She served as the undergraduate teaching assistant and assistant conductor for non-auditioned concert bands for three semesters. Swenson currently works as the Saint Paul Chamber Orchestra’s Operations Assistant, where she creates schedules and communications for the orchestra, coordinates instrument rentals, and much more. She also works closely with Greater Twin Cities Youth Symphonies (GTCYS), serving as a rehearsal assistant and mentor for multiple of their orchestras. Recently, she has appeared in masterclasses with Gabriel Campos Zamora, Andy Hudson, Alexander Fiterstein, Jose Franch-Ballester, and YaoGuang Zhai. In the summer of 2022, she attended the IES Vienna Summer workshop in Music History and Performance, where she was able to study with and learn from many area musicians, including members of the Vienna State Opera Orchestra and the Vienna Symphony Orchestra. Madeline Swenson is a student of Sang Yoon Kim and counts Jennifer Gerth and Robert Haugen among her other main teachers. In her free time, she enjoys spending time with her family and friends, cross-stitching, crocheting, and enjoying the company of her dog, Ruby.

Willow Stracuzzi is a cellist and gambist originally from Albuquerque, New Mexico. She began her undergraduate studies at the Cleveland Institute of Music, pursuing her bachelor’s in cello performance. This year, she will begin her third year of her bachelor’s at the Jacobs School of Music, studying the cello with Emilio Colón, minoring in historical performance on the baroque cello and viola da gamba with Joanna Blendulf. Aside from performing, Willow also enjoys teaching the cello, and is a suzuki trained cello teacher. Willow is thrilled to be returning to Wintergreen for a second season!
Instagram handle - @willow.stracuzzi

Gavin Gibson is a senior French horn performance major at the University of Maryland, College Park. Gavin has studied with Jamin Mordin and Justin Drew, and is currently studying with Gregory Miller. Gavin plays in the University of Maryland Wind Orchestra and Symphony Orchestra. He also has subbed with the Maryland Winds and has a position with the DC Youth Orchestra. Gavin also has experience in chamber music, having played in a horn quartet, brass quintets, and is currently in a wind quintet at the University of Maryland. His favorite composer is Poulenc. As well as playing the horn, Gavin plays in a rock band, composes music, and enjoys gardening.
Instagram, @childish_gaveeno

Carson Wolf (Columbus, OH) is earning a Bachelor of Music in Performance at The Ohio State University, and her primary instrument is double bass. Carson has participated in the Ohio State Symphony Orchestra, Wind Symphony, pit orchestra for Opera Theatre, Buckeye Philharmonic, and several chamber groups. Carson is a member of the American String Teachers Assocation and serves on the organization's executive board as secretary. Along with ASTA, she is a member of Sigma Alpha Iota Theta Alpha chapter at OSU and serves on the executive board as Sargent at Arms. Outside of OSU, Carson is a member of the Artemis Bass Initiative Mentorship Program, and she is a member of the International Society of Bassists; she has plays gigs with a local church, teaches private lessons, and works part time. In her free time, Carson enjoys making coffee and matcha, listening to music and collecting records, taking care of her cat and plants, and doing yoga!







VOCAL STUDIES

Cameron Turner is an operatic baritone and currently a freshman studying at the Mannes School of Music in New York. He is originally from London, but now has dual citienship after living in the United States for 6 years. Cameron loves doing staged production, most recent ones being: Melisso in Handel’s Alcina, and Il conte in Mozart’s Le nozze di figaro. He has also done multiple recitals covering Italian art song, German leider, and Oratorio pieces. Cameron believes that music is a way to show people emotions they have never discovered or felt. He is excited to be able to work with new singers, coaches, instrumentalists, and composers. Cameron is thrilled to have been invited to be a part of the LEAD Cooperative.

Jinni Shen, a soprano from Nanjing, China, began her musical training at the age of five. She earned her Bachelor’s degree from the China Conservatory of Music in 2018 before moving to the U.S. to pursue a Master’s in Voice at Mannes School of Music in NYC. In 2019, Shen performed in Mannes Opera’s Street Scene, and participated in the International Vocal Arts Institute and the Savannah Voice Festival. As a studio artist with Pittsburgh Festival Opera, she performed the role of Min in The Night Flight of Minerva’s Owl and covered Xanthe in Die Liebe der Danae.
During the COVID-19 pandemic, Shen co-organized the recital series Art Songs of the World across Connecticut and Massachusetts. She joined the Doctor of Musical Arts program in Opera Performance at The University of Texas at Austin in 2021, becoming a member of the Butler Opera Center. From 2022-2025, she played principal roles including Rosina in The Ghosts of Versailles, Lisa in The Queen of Spades, Musetta in La Bohème, Giulietta in Les Contes d’Hoffmann, “Ma” Zegner in Proving Up, and Micaëla in Carmen. Shen also performed as Rosalinde in Die Fledermaus at FAVA Opera and apprenticed with OPERA San Antonio. She earned her Doctor of Musical Arts degree in 2024.
Instagram: Jinni_shen_

Sophie Hill is an operatic soprano earning her Bachelor of Music at Mannes School of Music in New York City. She fell in love with classical voice at the age of 14 when she began her pre-professional training at the Virginia Governor’s School for the Arts, where her favorite roles included the Witch in Hansel and Gretel (2024) and Eurydice in Orpheus in the Underworld (2023). She was also featured in Handel’s Messiah (2022 and 2023) singing “Rejoice greatly” and “If God be for us.” At Mannes, Sophie has performed scenes from Don Giovanni, La Clemenza di Tito, Così fan tutte, and Le Nozze di Figaro by Mozart. She currently studies opera with Jennifer Zetlan at Mannes. Sophie is very excited to be a part of the LEAD Cooperative at the Wintergreen Music Festival!

Olivia Salazar is a twenty-one-year-old artist studying at the University of California, Los Angeles under the tutelage of Distinguished Professor Vladimir Chernov and Coach Wendy Caldwell. At UCLA, she has performed for the Chancellor’s Inauguration in Royce Hall (2025), held a leading role in the Kurt Weill Cabaret (2025), played Mercédès in Carmen (2024) in the UCLA Scenes Program, The Second Witch in Dido and Aeneas (2023), Madame Grosse in Poulenc’s Les Mamelles de Tirésias (2023), and the Shepherd in Acis and Galatea (2022).
Olivia has received the semifinal award for the 2020 Music Center Spotlight Competition, received a merit scholarship to the prestigious Interlochen Arts Academy where she studied under Distinguished Teacher Jeffrey Norris, and performed additional leading roles including Krakamiche in the recently rediscovered opera Les Dernier Sorcier (2021), and Bunthorne in Patience (2022).
Olivia also has a passion for ensemble singing, having participated in the UCLA Chamber Singers for the past three years (2022-present). She is currently a member of the Seraphic Fire Ensemble Artist Program, where she sings with the GRAMMYTM-nominated ensemble twice a year in Florida. As part of the UCLA Chamber Singers, she has sung with Cappella Romana on their Super Audio recording of In the Footsteps of St. Demetrios (2024), with the Long Beach Camerata in the Brahms Requiem (2024), and with the Brubeck Brothers in Gates of Justice (2023). Olivia was additionally the alto soloist in the Universalist Unitarian of Santa Monica’s rendition of The Messiah (2024).